
‘A enir cenedl ar unwaith?’
A Book of Three Birds by Morgan Llwyd

Publisher: Cockatrice Books, 2015 | ISBN: 978-1912368136 | Format: 20.3×12.7cm paperback | Length: 158 pages | Price: £8.99.
Morgan Llwyd (1619-1659), the nephew of a professional soldier and magician, was a Roundhead, a millenialist, a chaplain in the army of Oliver Cromwell, and later a civil servant of the commonwealth in Wales.
His famous religious allegory, A Book of Three Birds, is considered the most important Welsh book of the Seventeenth Century, and an enduring masterpiece of Welsh prose. With its introduction reflecting on the political turmoils of our time, this new translation by Rob Mimpriss brings to life the pungency of Morgan Llwyd’s writing, the richness of his religious and political thought, and the urgency of his drama and characterisation.
‘Lucid, skilful, and above all, of enormous timely relevance.’
Jim Perrin
From the Introduction:
An eagle, a raven and a dove meet and debate in Morgan Llwyd’s seminal masterpiece of Welsh prose style. The year is 1653 A.D., the year in which A Book of Three Birds was published, and on whose events the three birds reflect: the civil war which brought Oliver Cromwell to power; more recent, demoralising wars in Ireland and Scotland; and the abolition of Parliament. The book is written in expectation of the year 1656, an omen of the Second Coming, for the world waits in suspense between two disasters: the fires of the Day of Judgement, which is imminent, and of which the Civil War is a foretaste, and the waters of the flood which drowned the world in the time of Noah, and which symbolically have not yet receded. The reality of this coming judgement underlies all human politics, all industry and learning, just as the reality of the coming flood underlay the eating and drinking, courtship and marriage of the antedeluvian world. These two judgements, and the uneasy rest between them, are symbolised in the shape of the rainbow, and in the red and blue with which it is fringed.
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‘freely and fiercely inventive short stories… supercharged with ideas.’
Jon Gower, Nation Cymru

Prayer at the End: Twenty-Three Stories
‘heaving with loss, regret and familial bonds.’
Annexe Magazine

For His Warriors: Thirty Stories
‘sketched with a depth and sureness of touch which makes them memorable and haunting.’
Caroline Clark, gwales.com

Reasoning: Twenty Stories
‘dark, complex, pensively eloquent’
Sophie Baggott, New Welsh Review

The Sleeping Bard: Three Nightmare Visions of the World, of Death, and of Hell
Translated by T. Gwynn Jones, with an introduction by Rob Mimpriss.

A Book of Three Birds
‘Lucid, skilful, and above all, of enormous timely significance.’
Jim Perrin

Dangerous Asylums
‘In this exemplary collaboration between medical science and imagination, lives preserved in official records, in the language and diagnoses of their times, are restored not just to light, but to humanity and equality. This anthology is a resurrection.’
Philip Gross

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‘An invaluable translation.’
Angharad Price

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